Mésoamérique moderne Influences du passé dans les intérieurs contemporains mexicains Su Wu, avec des photographies de Luis Garvan et une préface d’Elena Reygadas A hand-built vessel by celebrated artisans Soila Rodríguez Jiménez and Rufino Cruz. They have...
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Mésoamérique moderne Influences du passé dans les intérieurs contemporains mexicains Su Wu, avec des photographies de Luis Garvan et une préface d’Elena Reygadas A hand-built vessel by celebrated artisans Soila Rodríguez Jiménez and Rufino Cruz. They have introduced dramatic scale and multiple bocas (mouths) to a traditional form originally used for water by the Mixe people of Tamazulapam del Espíritu Santo in the mountains of Oaxaca. The black marks are naturally formed from a widespread open-air Mesoamerican firing method on the regional red clay, in which pottery is baked not in kilns or pits but directly on Picault describes Casa Bernal as “a temple facing his deity—the monolith. He looks at him, the ground, utilizing courtyards for wind protection and allowing each family to easily create venerates him, commits himself to him, but also turns his back on him, to contemplate his 6 its own functional ceramics. own strength.” 7 The entry of the house features a staircase that follows
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