This essay examines the relationship between music, migration, and cultural
identity among African diasporic artists in the United Kingdom, with a particular
focus on lived experience within the Tees Valley. While existing scholarship has
predominantly...
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This essay examines the relationship between music, migration, and cultural
identity among African diasporic artists in the United Kingdom, with a particular
focus on lived experience within the Tees Valley. While existing scholarship has
predominantly centred on large metropolitan areas such as London and
Birmingham, this study addresses a notable gap by exploring how identity is
negotiated within a smaller regional context — one that is often overlooked in
cultural and sociological research yet no less rich in the stories it holds.
Through a combination of theoretical analysis and autoethnographic
reflection, the research investigates how music functions not only as artistic
expression but as a critical medium through which diasporic individuals construct,
negotiate, and communicate identity. Drawing upon the foundational work of
Hall (1990; 1996), Bhabha (1994), and Gilroy (1993; 2005), the study argues that
cultural identity is not fixed but continuously produced throug
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